Otto Eerelman
1839 – Groningen – 1926
Eerelman’s initial preference was for making historic scenes, yet such pictures were going somewhat out of fashion. On the other hand however, animal portraits were becoming increasingly popular in the second half of the 19th century. A new phenomenon was occurring: the emergence of domestic animals as pets. Whereas horses, dogs and cats were originally kept for their practicality or as working animals, the rapid increase in the wealth of the upper levels of society through industrialisation enabled them to keep animals for sport or pleasure as well. Rich citizens eagerly wanted their favourite animals immortalised in paintings. This was an obvious opportunity for Eerelman, who had previously demonstrated his exceptional talent for drawing and painting horses and dogs.
Even though Eerelman also made portraits of other dog breeds, Saint Bernards are nowadays the most sought-after subjects. Eerelman’s most important clients were predominantly rich citizens and nobility. Those clients increasingly asked for paintings of dogs. Therefore, Eerelman built a small boarding kennel in his garden to accommodate the dogs he immortalised.
Much like other famous animal painters, for example Henriette Ronner-Knip, Eerelman was outstanding at depicting the physiognomy of the animals. You can actually read their characters and emotions from his paintings.